Review 68: Pan-Caribbean Writing and Arts
Review 68: Pan-Caribbean Writing and Arts
In Memoriam: “John Coleman on Spectacle Lane,” by Belkis Cuza Malé; “Towards a Reading of Ortiz’s Cuban Counterpoint,” by Enrico Mario Santí; “Creolité: Power, Mimicry, and Dependence,” by A. James Arnold; “Paris Isn’t Always a City in Texas,” by Dany Laferrière; Interview with Raphaël Confiant; “Who Slashed Celanire’s Throat,” by Maryse Condé; “Cherries” and more.
In Memoriam: “John Coleman on Spectacle Lane,” by Belkis Cuza Malé; “Towards a Reading of Ortiz’s Cuban Counterpoint,” by Enrico Mario Santí; “Creolité: Power, Mimicry, and Dependence,” by A. James Arnold; “Paris Isn’t Always a City in Texas,” by Dany Laferrière; Interview with Raphaël Confiant; “Who Slashed Celanire’s Throat,” by Maryse Condé; “Cherries” and other poems, by Kamau Brathwaite; Interview with artist Nicole Awai; “Woman in Battle Dress,” by Antonio Benítez-Rojo; “Elisabeth Samson: Prisoner of Color,” by Cynthia McLeod; “The Ibismanmouse,” by Frank Martinus Arion; “Thirteen Ways of Looking at Blackbird,” by Olive Senior; “Meditations for Saint-John Perse,” by Patrick Chamoiseau; “The Importance of Being Daniel Santos,” by Luis Rafael Sánchez; “Death of the Businessman,” by Giannina Braschi; Book Reviews.
For more information about past editions, contact:
Daniel Shapiro
Director of Literature and Editor of Review Magazine
(212) 249-8950 ext. 366
Fax (212) 249-5868
dshapiro@as-coa.org
