This was the first major survey exhibition since the early 1970s to examine the impact and influence of Impressionism on Canadian artists at the turn of the century. The catalogue contains essays by Carol Lowrey, Laurier Lacroix, and Robert Stacey.
This is the catalogue of the traveling exhibition of recent abstract expressionist works by one of Brazil's foremost living artists. It contains trilingual essays (English, Portuguese, Spanish) by Marcus de Lontra Costa.
This bilingual catalogue examines the exhibition of seventeen young artists from across the American hemisphere. The catalogue includes essays by Thomas McEvilley, John You, Alisa Tager, and Sandra Antelo-Suárez.
This exhibtion catalogue examines the work of the renowned Cuban surrealist form the 1930s to the 1980s and includes essays by Charles Merewether, Catherine David, and Lowery Stokes Sims.
This exhibition catalogue of colonial painting, polychrome sculpture, and decorative arts produced during the seventeenth and eighteenth centuries in the Viceroyalty of Nueva Granada contains essays by Marta Fajardo de Rueda, Alexandra Kennedy, and Santiago Sebastián.
This catalogue includes the epic-scale illustrated manuscript, Nueva crónica y buen gobierno (New Chronicle and Good Government), written by Felipe Guamán Poma de Ayala circa 1615, which presents an account of the effects of the Conquest from a voice rarely heard—that of the conquered.
This bilingual exhibition catalogue covers five contemporary Chilean artists who utilize photography as an essential component of their art. Artists include Gonzalo Díaz, Virginia Errázuriz, Gonzalo Mezzo, Alicia Villareal, and Enrique Zamudio.
