7:00 pm ET
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Alejandro Escuer. (Image: Roey Yohai Studios)
Alejandro Escuer: Human Flute/Human Voice
The Mexican flutist-composer returns to our stage with a program of music for flute and electronics, part of his Postmodern Flute Project 2024-2030.
Overview
Registration for this concert is now closed but walk-ins are welcome as seats are still available!
Americas Society members will get to sit early in reserved seating for this event.
Contact membership@as-coa.org with any questions.
Video of the concert will be released at a later date. Remember to follow us to watch this and other exciting performances.
Alejandro Escuer (b. 1963) is a Mexican multidisciplinary artist and flutist who is at ease performing as a soloist with symphony orchestra, chamber ensembles, or performing solo recitals. He has captivated audiences with his commitment to and delight in performing a unique selection of original works, ranging from established masterpieces to new Latin American works and his own compositions and improvisations.
The Postmodern Flute Project starts this year and will continue for several years with new pieces, commissions, and premieres until 2034, when Escuer plans to dedicate his time fully to composing.
Program:
- Manuel Rocha Iturbide (1963): Semi no Koe (2001), for flute and tape
- Gonzalo Macías (1958): Maquin-Son (2023), for alto flute and electroacoustic music
- Jorge Verdin (1965-2024): Maquinaria (2017), for flute, video, and electroacoustic manipulation
- Gabriela Ortiz (1964): Tres haikus (2015), for flute, voice, and electroacoustic voices (with soprano Carla López Speciale)
Intermission
- Alejandro Escuer (1963): Dreaming the End of War (2023), for flute and electroacoustic sounds
- Mark Appelbaum (1967): Aphasia (2011)
- Escuer: Templos (1993, rev. 2008), for amplified flute
Escuer has been a driving force in the Mexican new music scene for decades and been the artistic director and producer of more than one hundred and fifty concerts featuring over fifty premieres. He has received numerous prizes and awards in Mexico and abroad, including a Rockefeller Foundation Award (1995), The National Interpreters Competition (first prize), and many others. He is also on the faculty at the Escuela Nacional de Música of the Universidad Nacional Autónoma de México and has delivered master classes and concert-lectures across the Americas. He has developed new expressive instrumental techniques and technologies for his instrument.
Alejandro Escuer holds degrees from Conservatorio Nacional de Música, Universidad Nacional Autónoma de México, the Sweelinck Conservatorium Amsterdam, and earned his doctorate from New York University. He has recorded over a dozen albums as a soloist and music director.
The MetLife Foundation Music of the Americas concert series is made possible by the generous support of Presenting Sponsor MetLife Foundation.
The 2024-2025 series is also supported, in part, by the Howard Gilman Foundation, New York City Department of Cultural Affairs in partnership with the City Council, New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, Fan Fox and Leslie R. Samuels Foundation, Mex-Am Cultural Foundation, the Alice M. Ditson Fund of Columbia University, and Mid Atlantic Arts.