Geoffrey James: Zones of Contact

Geoffrey James: Zones of Contact, curated by Marysol Nieves, presented the work of Welsh-born Canada-based photographer Geoffrey James (b. 1942). Known for his eloquent black-and-white photographs of culturally charged landscapes, the artist defied the traditional category of journalistic photography through a series of compelling images that subtly investigated the intersection between nature and the built environment. His photographic images suggested the relationship or “zones of contact” between people and what we construct and impose on the natural world.

Running Fence (1997) and Lethbridge (1998-1999) document the fence dividing the U.S-Mexican border and the citty of Lethbridge, Canada. At first glance, the two series could not have seemed further apart. Where these images intersect had to do with the demarcation of territory, whether owned or claimed. From territories known to the artist to those less familiar, James’ photographs were evocative for the experiences they engendered, particularly in terms of highlighting a sense of disenfranchisement, dislocation, and marginalization as a lived identity for many, regardless of location.

^{Geoffrey James: Zones of Contact was organized by Americas Society’s Director of Visual Arts Marysol Nieves in consultation with the Canadian Consulate General, New York. This exhibition was made possible through major corporate support from Harris Nesbitt. Additional support was provided by Carol and David Appel.}