Exhibitions

This exhibition presented a selection of approximately 40 objects-- masks, costumes, and paintings-- made of bark-cloth by the Tukuna people of the Amazon, in the eastern part of Colombia near Brazil.

The approximately 100 images contained in the exhibit Witnesses of Time: Photographs by Flor Garduño conveyed a poetic and intimate vision of surviving indigenous communities in the Americas, particularly in rural areas of Mexico, Guatemala, Peru, Bolivia, and Ecuador.

Curated by Dr. Charles Merewther, the exhibition Wifredo Lam: A Retrospective of Works on Paper featured a selection of 76 extraordinary works on paper including drawings, prints, and books by the artist, who was born in Sagua la Grande, Cuba 1902, and who died in Paris in 1982.

Barroco de la Nueva Granada: Colonial Art from Colombia and Ecuador, a didactive and visually exciting exhibition, focused on the major forms of artistic expression that flourished in colonial South America from the mid 1600s through the 1700s. Through a carefully selected group of objects, the exhibit examined the major stylistic traits, iconography and symbols of colonial Colombian and Ecuadorian painting and sculpture.

This exhibit included reproductions of 100 of the 380 drawings that Guamán Poma created for his 1,188 page Nueva corónica. Written by a native Andean in early colonial Peru, Felipe Guamán Poma de Ayala, the Nueva corónica was a letter addressed to King Philip III of Spain to inform him about affairs in Peru and to urge better government of his colony.

The exhibition, curated by Dr. N.C. Christopher Couch, featured a selection of 83 outstanding examples of masks of precious metals, stone, ceramic, shell, and wood – as well as ceramic and stone sculptures depicting masked warriors and performers – from major museums and lesser-known collections of Pre-Columbian art in the United States and Latin America.

This exhibition presented recent works by Chilean artists Gonzalo Díaz, Virginia Errázuriz, Gonzalo Mezza, Alicia Villarreal, and Enrique Zamudio. It was the first museum-quality exhibition of contemporary Chilean art to be presented in the United States in over a decade.

This exhibition was significant in that it focused on aspects of Mexican painting that had not been fully explored in previous exhibitions. Principal among these were the re-interpretation of Mexican identity, as well as the intense inward scrutiny of the artists’ individuality.

The exhibition focused on the recent work of three distinguished Latin American artists who lived and worked in New York: Alicia Creus, Raquel Rabinovich, and Francisca Sutil. (Creus and Rabinovich were originally from Argentina, Sutil from Chile).

The exhibition featured a selection of rare, important books manufactured during the Colonial period in Latin America and New England.