This exhibition catalogue covers the work of three artists in New York, whose paintings, sculptures, and drawings engage the modernist tradition and the legacy of abstraction while addressing concerns of the human body. Anderson and Mazal hail from Mexico, while Matalon is a Cuban American. The catalogue includes texts by Joseph R. Wolin.
Arts & Culture
Embodied Abstraction: Laura Anderson Barbata, Linda Matalon, Ricardo Mazal
Modern and Contemporary Art from the Dominican Republic
This bilingual catalogue provides a glimpse of the first comprehensive survey of twentieth-century Dominican art to be presented in the United States. The catalogue includes essays by Edward J. Sullivan, Jeannette Miller, Marianne de Tolentino, and Elizabeth Ferrer.
Review 52: The African Presence in Latin American Literature and Arts
Essays on the African influence in Latin American literature.
Visions of Light and Air: Canadian Impressionism 1885-1920
This was the first major survey exhibition since the early 1970s to examine the impact and influence of Impressionism on Canadian artists at the turn of the century. The catalogue contains essays by Carol Lowrey, Laurier Lacroix, and Robert Stacey.