Campaigns against judges like herself imperil Guatemala's democracy, writes Gloria Porras.
Co-curators Sebastian Zubieta and Diana Flatto share sounds from The Spine of Music.
The Spine of Music co-curators invited experts to discuss the artist’s legacy in the music and art scenes.
Bianca Gismonti and Nilko Andreas are back after weeks and years, we revisit Vincent Lauzer's recent concert, and continue exploring the art of Joaquín Orellana.
"Orellana’s works are wonderfully inventive and, just as important, equally enjoyable as musical instruments and as visual objects," writes Jonathan Goodman.
Using instruments made from the materials indigenous to Guatemala, Joaquín Orellana "articulates a radically expansive and humane approach to avant-garde composition," writes Johanna Fateman.
The Spine of Music showcases Joaquín Orellana's “sculptural, Surrealist, and darkly sensuous” instruments, per a New York Times review.
