"En la región latinoamericana hemos visto que las áreas metropolitanas masivas como Sao Paulo son los epicentros", dice Carin Zissis de AS/COA a Deutsche Welle.
AS/COA in the News
"Atravesados por las manualidades, los trabajos tienen una sencilla apariencia que contrasta con la intimidad y emotividad que sugieren", escribe Victoria Verlichak sobre Feliciano Centurion: Abrigo.
Feliciano Centurión's art was documented "through declarations of affection, love, and hope," writes Terremoto Magazine about Abrigo.
"A opinião pública entende que o que acontece no Brasil é um reflexo perfeito do que acontece nos Estados Unidos", diz Brian Winter da AS/COA.
Experts from academia and the public and private sectors will examine the most pressing traditional and nontraditional security challenges facing the Western Hemisphere.
“Obviously the Maduro regime knew about it in advance,” said AS/COA's Eric Farnsworth to Foreign Policy.
"It’s a very convenient thing to have happened," said the AS/COA vice president about recent events in Venezuela.
"What better way to rally a country that's flat on its back than to expose an invasion from the empire?" said AS/COA's Eric Farnsworth to The Washington Post.
"Centurión’s work resonates deeply, proffering both courageous perspective and tender wisdom," writes Susan Breyer about Americas Society Visual Arts' exhibition Abrigo.
ArchDaily features Americas Society Visual Arts' new IN SITU series, weekly Instagram guest posts about architecture and spatial thought.
Forbes features Music of the Americas' En Casa and Recuerdos series in a roundup of online cultural experiences.
"Los inversores multinacionales ahora entienden que no pueden confiar en que China sea el único anfitrión de las actividades de la cadena de suministro", dijo Eric Farnsworth de AS/COA a Primicias.
"It's going to be difficult. You need to have some sort of coordination between the private and the public sectors," said AS/COA Chairman Emeritus William R. Rhodes to Bloomberg on the debt crisis in the emerging markets.
Arte Al Día highlights Americas Society Visual Arts "In the Studio" series, a remote look into artists' workspaces on Instagram Live.
"Moro’s departure will cause a real crisis of conscience for some Bolsonaro voters who will ask themselves: ‘Is this government really the change that I voted for?’,” said AS/COA's Brian Winter to The Guardian.
"El modo de activismo y resistencia de Centurión fue íntimo y afectivo, centrado en el amor...el refugio –o abrigo— que el arte puede brindar en medio de un mundo hostil," escribe Artishock sobre Feliciano Centurión: Abrigo.
Visual Arts' series of Instagram posts invites architects and thinkers to contribute their spatial ideas and thoughts around the inside, the outside, and the in-between space(s).
"Bolsonaro, through his own rhetoric, has greatly wounded the efforts of governors and mayors to buy Brazil some time," says AS/COA's Brian Winter to Foreign Policy.
Since 2015, more than 4.5 million Latin Americans have migrated elsewhere in the region. The newest edition of Americas Quarterly covers the impact on education, politics, economy, and more.
"As companies are looking to make their supply chains more resilient, they’re going to look away from China," said AS/COA's Eric Farnsworth on Latin America's prospects for global trade post-COVID-19.