This catalogue is based on a historic study of the ceramic tradition in Puebla, Mexico with a summary of contemporary ceramic practices. It includes essays by Margaret Connors McOuade and Jaime Contreras Castro as well as an exhibition checklist.
These photographs testify to the remarkable talent and tenacity of the artist as well as to the cloistered religious communities of Québec, among the last in North America.
This exhibition presented a mid-career survey of a dozen years of his work, which ranges from early photographs of enigmatic landscapes and ruins, to larger prints of more dramatic tableaux featuring nude figures with masks and other props, to recent monumental installations that combine photography with video and performance elements.
This is the bilingual exhibition catalogue of paintings by fourteen Panamanian artists with essays by Monica E. Kupfer, Edward J. Sullivan, and Celestino Andrés Aratiz. Kupfer provides an overview of twentieth century art history in Panama.
This bilingual catalogue of the retrospective exhibition of the seminal Mexican painter includes essays by Elizabeth Ferrer, Olivier Debroise, and Elena Poniatowska.
This exhibition catalogue covers the work of three artists in New York, whose paintings, sculptures, and drawings engage the modernist tradition and the legacy of abstraction while addressing concerns of the human body. Anderson and Mazal hail from Mexico, while Matalon is a Cuban American. The catalogue includes texts by Joseph R. Wolin.
This bilingual catalogue provides a glimpse of the first comprehensive survey of twentieth-century Dominican art to be presented in the United States. The catalogue includes essays by Edward J. Sullivan, Jeannette Miller, Marianne de Tolentino, and Elizabeth Ferrer.
